With E3 starting this week, developers and publishers have been giving us glimpses at their new games. One of them happens to be a cool looking new horror game based on one of Lovecraft’s most famous stories.
Call of Cthulhu is an upcoming Horror/RPG based on H.P. Lovecraft’s ”Call of Cthulhu”. Players take the role of an investigator who must uncover the truth behind a mysterious town called ”Dark Water”. This is not a sequel to the 2005 game ”Call of Cthulhu: Dark Corners of the Earth” but rather a reboot of the game series. The game is being developed by Cyanide Studios.
I’m sure we will be seeing more information on this game this week, since E3 starts this Sunday. I am so excited to see what horror games will be announced, there have been some heavy rumors about a new Resident Evil and a sequel to The Evil Within being revealed. Looks like horror might make a return to mainstream gaming once more.
The Doomwatch organization was created to investigate and stop the approaching environmental harmful effects of destructive pollution. Doomwatch sends Dr. Del Shaw to the fishing village island of Balfe where only one year ago an oil tanker sank off the island’s coast, leaving behind a devastated waterfront of oil waste that annihilated a chunk coastal life. Upon Dr. Shaw’s arrival, a strange sensation of unwelcomeness overwhelms him in the close knit fishing village. Shaw’s one day visit stretches to a longer stay when his curiosity about the village’s secrets gnaw at his conscious. Though what Shaw unearths is a direct result of man-made pollution, his discovery reveals a much more frightening mutation, transforming the quiet and isolated fishing village into a violent and turmoil lot of locals.
The 1972 feature film “Doomwatch” was born out of the brief lived and sorely lost British television series of the same name from 1970 to 1972. Surely a familiar shelf life and fleeting path of another placed on the back burner sci-fi great, a little series known as “Alien Nation,” in which did the exact reverse strategy and spawned from a hit movie starring James Caan and Mandy Patinkin. However, “Doomwatch” sought a more practical and realistic approach that attempted to warn the public of the dangers of monumental pollution and instill a self conserving fear into the residents of Earth. The scenario is also on a smaller scale from other similar plots such as an example of one would be the 1950s testing of the hydrogen bomb that had consequently overdeveloped and mutated an oversized, fire-breathing lizard you may know as “Godzilla.”
“Doomwatch” isn’t full-throttle horror and doesn’t quite even board the chills and thrills train. Instead, the Peter Sasdy directed film plays out more toward a science fiction mystery that lingers and hangs on the story’s catalytic moment. Prior to the “Doomwatch” film, Sasdy did partake in directing notable horror features for Hammer Films production such as “Taste the Blood of Dracula,” “Countess Dracula,” and “Hands of the Ripper,” but Sasdy made his start in television with over a decade amount of experience working on the smaller screen. Sasdy did have some help in amongst two writers who previously had long-running experience writing for the “Doomwatch” series. Kit Pedler and Gerry Davis saw fit to put their two cent input, but the film’s script was finalized and streamlined from the relatively unknown writer of that time Clive Exton who went on to pen “Red Sonja” starring Arnold Schwarzenegger.
I feel like Peter Sasdy safely cradled “Doomwatch” for the public with the content being alarmingly prophetic. For a director who exposed colorful amounts of blood and fantastical and villainous inhuman creatures to the world, Sasdy had disappointingly failed to shock audiences with potential world wide devastation. “Doomwatch” could be deemed more of a workplace educational video required in the protecting of the environment and to become ISO certified. Poor Ian Bannen tried his damnedest to sell his performance as the Doomwatch’s over-caring Dr. Del Shaw, but Bannen’s character, for the most part of the film, just yelled his case (or the village’s case rather) to an unsympathetic and ignorant written fishing village that, in my opinion, deserved to wither and die out due to their lack of wanting to be cured of digesting hormone chemicals and also from the years of inbreeding that would have eventually sprouted genetic mutation as well. The “Doomwatch” cast rounds out with leading lady Judy Geeson, Percy herbert, George Sanders, and Jean Trend.
UK located Screenbound distributes a newly restored DVD version that’s region free with a runtime of 85 minutes. However, the copy I received is a screener disc and can’t be necessarily critiqued for the audio and video quality. If I had to answer the three important story related questions about the film’s character, the answers would be the following: Entertaining? To a degree. Horrifying? Not really. Thought provoking about the welfare of Earth? Not as powerful as intended. The PG rated Peter Sasdy directed pre-apocalyptic call to arms film “Doomwatch” flashes no teeth for a long-haul fight against global defilement, even though the writers attempted to portray the disfiguring results of others’ mindless ignorance.
A young group of phony ghost ass kickers who call themselves Paranormal Activity Security Squad, aka P.A.S.S., setup a reality show to earn quick cash from gullible callers. When the calls for help trickle into their call center, aka their garage, P.A.S.S. eagerly answers the call, but they become intertwined into the sinister plot orchestrated by a real nasty demon named Vladimir Van Housin. Now, they must obtain the assistance of a slightly unorthodox, if not totally narcissistic, sorcerer, a brutishly strong Asian man-child, and the loyalty to each other to stop the powerful Van Housin demon from entering their world, tilting their very existence.
“P.A.S.S.” is either the prime candidate for the schlock of Troma or needs to be seriously considered by Jonathan Turell, CEO of The Criterion Collection, for upscaled distribution with all the bells and whistles. To be honest, my initial thought was another stupid horror-comedy with bathroom jokes while camera focusing a lot on Katie Heidy’s Wrench character’s cleavage. Lots of cleavage I can deal with, but when Rigan Machado’s dimwit character dumps a log out of his brown soaked whitey-tighties and then proceeds to pick it up and eat it, I nearly gave up on P.A.S.S….and eating anything…ever. But I continued to watch. And watch. And watch. And the more I watched, the more I witnessed untapped creativity and enigmatic entertainment that kept me enthralled to the cliffhanging end.
Among nearly all the other credits for P.A.S.S., writer, director, and star Alex Wraith has astronomical vision, using his galactic gonads to implement slight rotoscope technology and practical specials effects that develop a wicked comic world of insane determination. “P.A.S.S.” breaks all the laws of filmmaking. When a film attempts to homage an untouchable classic, in this case Ivan Reitman’s “Ghostbusters,” the project nearly gets blacklisted by fans. If you don’t believe me then check out the critical responses to this year’s “Ghostbusters” remake. Wraith’s film incorporate’s the humorously stiff commercial, the transformed hearse, and a team of four amateurs that all attach itself to the beloved Bill Murray comedy while also adding in public domain footage of retro horror from “Night of the Living Dead” to Ted Browning’s “Dracula” in the montage introduction and seriously ripping Star Wars. Wraith and some of his cast aren’t exactly newbies to the Hollywood game with Wraith having minor roles in “Savages” and “Taken 3,” and Sean Stone in also “Savages” and “Wall Street.” Katie Heidy and Jean-Claude Van Damme’s daughter, Bianca Bridgitte Van Damme, bring the squad’s, if not the movie’s overall, sex appeal while Dale C. Reeves portrays an awesome antagonistic spawned from hell demon who can’t be defeated and who also looks like Darth Maul. Don’t miss appearances by Dawna Lee Heising and “Amateur Pornstar Killer” director Shane Ryan!
Aforementioned, the rotoscope and practical effects are not top shelf material, but achieve a otherworldly sensation and set the tone for the film’s kooky and demented nature. Wraith loved to overuse the lens flare which works favorably for the world he was trying to create. Also, at some point in time in the duration, I felt as if I was inside the video game series “Twisted Metal.” Perhaps because three of our heros were pitted against a evil clowned-faced giant reeking havoc in an alternative universe. I truly believe this piece of work is a look into the warped mind of some very open minded individuals who eager seek to spill their madness onto paper and onto the big screen.
“P.A.S.S.” feels rightfully inexpensive due to Wraith and his team’s self funding, but the finished product reveals a smartly written script and some superb editing that keep the laughs rolling and the craziness fresh, turning up the intensity dial to beyond the max! I’m unable to critique the entire package as I was handed a screener link to review and I believe “P.A.S.S. has yet to find home distribution, but the handheld camera footage for the squad’s reality show looks amazing even if purposefully hectic at times and the audio is equally as clear and as balanced. Check out “Paranormal Activity Security Squad” wherever the film ends up and, I promise you, this film kicks not only demon ass, but the ass of many independent movies.
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Aspiring screenplay writer Wesley Pennington obtains the position of a runner for a low-budget zombie film. Being at the bottom rung, Wesley is commanded to do everything without hesitation or question no matter how big or small the task. With the production already plagued with a slew of problems, the film’s cast and crew come under attack from real life zombies that swarm the forest location. Wesley, along with a handful of lucky survivors, rely on their zombie film knowledge to flee from the flesh feasting fiends, living in their very own zombie apocalypse movie.
Rare is it to come across New Zealand horror now-a-days and when the opportunity presents itself, one must jump at a viewing with great enthusiasm. New Zealand horror has been known to be eccentric and fun, while also being gory and smartly scripted. From the early prevalent work of Peter Jackson (“Brain Dead,” “Bad Taste”) to lesser known cult favorites (“The Locals,” “Black Sheep”), the tiny New Zealand horror catalogue has made an everlasting mark in a heavily saturated American and European market. Guy Pigden’s written and directed 2014 horror-comedy “I Survived a Zombie Holocaust” takes it’s place rightfully so next to niche brethren, elucidating that horror and comedy in an extremely over saturated genre can and will still be an effective and entertaining movie.
Simply taking the premise of a horror movie being overwritten by another horror movie and using it’s tropes to poke at itself, while also jabbing at the film industry’s detached reality that ultimately devours itself, conquers being just another run-of-the-mill zombie comedy. Pidgen sharply appoints an ensemble cast to go along with the wanton story, working side by side again with Harley Neville in the socially awkward Wesley Pennington role. The rest of the main characters are purposefully stereotypical, fine tuned by Jocelyn Christian, Ben Baker, Reanin Johannink, Mike Edward, Andrew Laing, and Simon Ward. The character comedy mimics Peter Jackson’s “Brain Dead” with developing persona’s through various types of characters such as Wesley’s nerdy-awkwardness, Reanin as the prissy spoiled actress in Jessica, Mike Edward as an egotistical and closeted gay body builder actor in Adam, and the overbearing, frustrated, and desperate SMP played insanely intense by Andrew Laing.
The gore is very similar to Jackson’s early nineties splatterfest film. Lead special effects supervisor Timothy Munro had worked under the modern era thumb of Peter Jackson, including box office blockbusters films like 2005’s “King Kong” and 2012’s “The Hobbit: An Unexpected Journey.” Did this influence the effects team to explore the gore written in the screenplay pages in “I Survived a Zombie Holocaust?” I would say so. We’re talking about splitting heads in half, viscera spilling out from the waist side, limb detachments, and more sanguinary bits and pieces. The gore is sound and not as exploitive, as maybe “Brain Dead” comes across, smoothing out and around a well-balanced zombie comedy.
“I Survived a Zombie Holocaust” has faint issues of pacing that slow down between scenes, toning down a smidgen of my praise for Pidgen’s film. But the 38 Production’s freshman film goes above and beyond of being just another likable zombie comedy. The jest upon the horror community is well played and well received while also being a gory homage to an established horror community in New Zealand. “I Survived A Zombie Holocaust” has been released in the UK courtesy of distributor Matchbox films. However, I can’t comment technically on the audio and video quality due to the screener being a streaming link and nor can I comment on the extras as there are none. What I can comment on is that “I Survived a Zombie Holocaust” makes a killer first impression in the new era of Kiwi horror and will be at the top of the list for one of my favorite at home feature releases of the year!