I’m a little behind the ball with this news, but big thanks to producer Anna McCarthy (click here for her bathtub scene here in Slasher House review) for sharing with me the big news that Thorn, a gargantuan serial killer from “Slasher House”, will be getting his own backstory prequel movie entitled “Legacy of Thorn.”
McCarthy’s independent production company MyCho Entertainment Group will be backing the film while “Slasher House” director MJ Dixon is in the director’s seat. A review will be out before the film’s October 27th release! Stay with us and see how “Legacy of Thorn” plays out. Check out the trailer below.
Plot
4 years ago on February 29th… Jessica Lawrence and her friends lived a nightmare that has left her pursued from that moment by the unstoppable Killer known as Thorn… Four years on, Jessica and a band of survivors from that night make an attempt to stop him once and for all… but how can you stop what can’t be stopped?
Here is an entertaining little piece of UK slasher horror that will sure be appreciated as well as thrilling. “Slasher House” had finished filming and was wrapped up in a nice bow two years ago but, finally, made an appearance on DVD just last year in the UK. A whole another year later and “Slasher House” hits retail shelves this past Tuesday in the States – about damn time – courtesy of Sector 5 Films. In all honestly, the good old USA missed out on releasing “Slasher House” as this English film’s crew and cast were the highlights of turning a run of the mill survival film into a great little unknown gem of a movie.
Red wakes up stark naked in a cell of a grungy rundown prison. Plagued with amnesia, she can’t remember who she is let alone how she how she got here. When her cell door opens up, Red discovers she isn’t alone as their other captives, but these captives are not so innocent. Within these iron bars and walls, she is trapped with notorious serial killers who are being released from the cells one by one. With no way out in sight, Red must elude the killers as they hunt for her in the corridors. There are more sinister means behind this game, but she must go through the players first to find out why she’s here and who she really is.
Leading lady Eleanor James was labeled one of Britain’s new age scream queens. Though she delivers no real scream here in “Slasher House,” James’ character resembles more of Milla Jovovich’s Alice character in the Resident Evil series – more so with the red dress, calm demeanor, and feistiness with less kung fu, ESP abilities. Her performance as Red has you rooting for her all the way because she is the first and last “last girl” in “Slasher House” against a handful of murderous sonuvabitches.
Each notorious slasher has a trademark and a unique personality – a child killer, an operator, a brute, a dual personality – leaving no room for boring characters. Their backstories are briefly told in a flashback anecdote just short enough to give you their whole persona. The plot is a bit more complex than it’s unique cast of characters. I like the idea of bringing a lineup of serial killer allstars into a dirty old prison and letting them face off. I wish there was more of that. Half of “Slasher House” was trying to find an exit and the other half was escaping the maniacs. No real dull moments plagued the film, but with a premise that involves a battle royal amongst the worst of the worst, you would think you’d be up against a blood spattered wall and heads would be constantly rolling. The other half of my mind says the slowed down story goes better with a film like this to build the characters up for a great and glorious downfall.
“Slasher House” plays out like a graphic novel and could be well turned into one. A great one in fact. “Slasher House” also delivers a twist ending that you won’t see coming until the very end! Speaking of the movie’s end, the open ending doesn’t explain much to the character’s situation. One could only guess to the purpose behind the game, but none of the plans are plainly explained.
“Slasher House” is a must buy from Sector 5 Films. Two years have I waited for a film like this that could entertain me on a budget while pulling off major production status. I’m very impressed by director MJ Dixon and his vision and his future is bright with indie pictures and possibly get a gig in Hollywood if he keeps turning out good films. If you have a fear of clowns you may want to stay away; other than that, pick this DVD up that was released this past Tuesday the 26th!
Alma is back and it is time to fear her once again. Yes, F.E.A.R. online is finally coming to Steam after it’s long ass beta test on areia games. For people who don’t know what F.E.A.R. is, it is an extremely kick ass first person horror game with the first one being released back in 2005 on XBOX 360 and Playstation 3. The series has spawned two sequels and now a free to play spin off is on its way to Steam this fall. It will be free and will feature both a co-op campaign and competitive multiplayer. I know I will be playing it the day it comes out and give a review of the game since my happy ass loves the F.E.A.R. games to death. F.E.A.R. Online has a scheduled release date for October 17.
This 2010 film is brought to us by Srdjan Spasojevic and will shock even the most hard-core of horror fans. The main character is a man named Milos (Srdan Todorovic) who is a retired porn star struggling in the cash department. When he is offered a job that will change his financial status he takes it. He believes he is going to be the star of a reality based pornographic art film but is instead projected into a twisted sexual world of snuff films. Right from the get-go things are creepy, with the first shoot taking place in an abandoned children’s hospital. He decides to leave the shoot after being shown a clip of a new-born infant being penetrated. The director alarmingly calls this new-born porn. However, Milos is too late, after waking up with no memory he soon realises he has done sick things unconsciously. The film goes on to show viewers horrific scenes throughout. During one scene a woman gives birth on-screen rather graphically. She is assisted by a big bald man and the baby is pushed out and into his hands. He then proceeds to pull down his underwear and rape the screaming new-born. Another scene shows a man who has been injected with large doses of a powerful sexual stimulant. He is anally raping his own young child – who is bleeding profusely from his anus. This film grotesquely covers multiple taboo subjects; numerous types of rape, incest, new-born porn, pedophilia, necrophilia and more. All this and still this film is audaciously considered art to some people. This is without a doubt the most shocking film to exist, I have never heard of one worse. Although you must create your own opinion about this film I would not recommend it to anyone. I have no idea of the long-term effects of trauma but I’m sure everyone would prefer to avoid flashbacks of this!
Just when you think it’s safe to go back into the theater, another remake and reboot news bit rears it’s ugly little head. Two pieces of news bits delivered today spilling the beans that “I Saw The Devil” and “I Know What You Did Last Summer” will be being redone for a second time around.
“Oculus” director Mike Flanagan is in reports to write and produce the “I Know What You Did Last Summer” reboot which the story is based off a Lois Duncan novel. My question is why remake reboot this at all? This film, starring a gorgeous Jennifer Love Hewitt, was a major success in the wake of Wes Craven slasher game changer Scream back in 1997 and then spawn two more not-so-successful sequels. The story revolves around a group of teens who accidentally kill someone and then are hunted down by a man with a hook afterwards.
Kim Jee-woon’s “I Saw The Devil” is the other film that made remake headlines today in which Adam Wingard and Simon Barrett will bring the film to life…in America I’m sure. Wingard is set to helm and Barrett will be penning the project about the fiance of a special unit cop being murdered by a vicious psychopath. Hellbent on revenge, the cop is determined to hunt down the killer no matter the cost and the line between good and evil are sub-sequential. I’m a fan of Wingard and his style of horror and thrills, but I’m not so keen on remaking foreign movies for American audiences for the sake of those who can’t stand to read subtitles and this kind of situation just screams that instance.
No word on any dates yet, but I’ll keep my eyes open and see what comes across my desk.