Father and Son Bring EVIL Down Upon a Tormented Detective in “Darkness Falls” reviewed! (Vertical Entertainment / Digital Screener)


Los Angeles detective Jeff Anderson has his perfect world turned upside down upon discovering his beloved wife dead of suicide in their apartment bathtub. Losing his bid for Captain and having his life be in utter shambles, Anderson becomes obsessed with lurking around incoming suicide calls on the CB radio, trying to make sense of his wife’s sudden reasoning to end it all. When a similar case produces a survivor from a familiar fate as his wife’s, Anderson learns two men are behind similar forged suicides stretched out over the past ten years against prominent women figures in and around the L.A. area. The detective spins a wild theory that has him following every lead to track down and stop the father and son serial killers without any backup from his local precinct, forcing his hand to choose whether to be a cop and uphold the law or seek lethal retribution for the woman he loved.

From French director Julien Seri comes “Darkness Falls,” a crime thriller released in 2020 that is entirely shot in English, a first for the French filmmaker who helms a script from the executive producer on “Starry Eyes” and “The Man Who Killed Hitler and Then the Bigfoot,” the Belgium native, Giles Daoust. Also produced by the Belgium, the film, that was formerly titled “Anderson Falls,” gorges on the detective exemplar of the prodigal crime fighter stripped down to next to nothing before regaining footing against the two experienced serial killers out to reduce the highly professional woman population with one bottle full of sleeping bills and one razorblade at a time. “Darkness Falls” is an exaggerated piece of nurture versus nature on systemic toxic masculinity seething under the guise of one man’s oppressed childhood from the abusive women in his life and then enlightening his son to his ways while the open minded, Renaissance man climbs back up the mountain toward redemption, not only for himself or his wife, but for all women being forced in a dual parental role. “Darkness Falls” is released under the production companies Koji Productions, Lone Suspect, and Giles Daoust’s Title Media.

Despite the international production and filmmakers, the solid cast is compromised of familiar faces from respectable actors, starting with not-the-Elsa-“Frozen’s” Shawn Ashmore. Ashmore, who I considered to a steady part of any project – he’s phenomenal in Fox’s “The Following” with co-star Kevin Bacon, – finds himself in the shoes of a L.A. detective who has fallen by no cause of his own, but as consumed as detective Jeff Anderson is with proving his wife’s murder, Ashmore doesn’t sell Anderson’s convictions and doesn’t properly apply Anderson’s super sleuth talents to wade through the sea of angst and torment. Anderson’s also written poorly as a man who consistently lingers around suicide call-ins and has constantly has numerous visions and memories of his wife that serve little to her importance to him, serving more toward just being story fillers instead of providing a little more value to Anderson’s character. What attracted me more to “Darkness Falls” was Gary Cole as one-half of the father-and-son serial killer team. Cole takes a break from the Mike Judge and Seth McFarland humor to stretch his legs amongst the thriller genre, playing an unnamed dark toned character derived from hate, abuse, and the thrill of seeing women die. Cole’s performance is a step above Ashmore’s lead role, but still flat, flat to the point of almost monotonic pointlessness that doesn’t exalt his need to kill high profile women. “Darkness Falls” rounds out the cast with Danielle Alonso (“The Hills Have Eyes 2”) as a Anderson’s former partner turned police captain, Richard Harmon (“Grave Encounters 2”) as Gary Cole’s accomplice son, and the legendary Lin Shaye (“Insidious”) as Anderson’s mother.

While “Darkness Falls” conveys a strong, if unintentional, message that grossly sheds light on the overstepping male view toward the idea of a successful woman, director Julien Seri missteps multiple times through the dramatics of a cop on the edge of the law and on the brink of despair while also not completely rigging out Gary Cole and Richard Harmon with more conniving wit, especially when their kindred reign of terror is well versed throughout the years. What fleshes out from Ashmore’s rolling on the floor and spitting shade performance at pictures of women on his crime wall trying to get into the head of the killers and Cole’s character who relinquishes freedom in sacrifice, even after a daring great escape from a botched crime scene that involved killing two cops in the process, is this weirdly uncharismatic collapse of a story from within the parameters of a well-established cast and premise. “Darkness Falls” barely pulls out a believable crime thriller that can only be described as vanilla, a term that stakes the heart terribly knowing that Shawn Ashmore and Gary Cole deserve so much better just from their lustrous careers and polar acting styles that don’t counterbalance the dynamics at all in this film. The original title, “Anderson Falls,” is fresher salt than the stale, rehashed title change of “Darkness Falls” to, perhaps, gain traction in a fruitless action of selling more tickets, adding even more vanilla flavor.

Releasing on VOD and Digital this month is “Darkness Falls,” an unrated release, courtesy of Vertical Entertainment. Streaming services such as iTunes, Amazon, Apple TV, Google Play, FandangoNow will carry Shawn Ashmore’s 84 minute sordid themed detective thriller as well as all major cable and satellite companies. Since this is a digital screener, the audio and video aspects will not be reviewed, but if running on digital and VOD, the presentation should be excellent provided that your internet’s not sluggish and a good connection is established. I will say that the score by Sacha Chaban is against the grain with a brawny anti-brooding soundtrack more suitable for intense action than stylish poignancy than ends in uninspired ca’canny. That’s also not to say it wasn’t a good score. There were no bonus material included with the digital screener and no bonus scenes during or after the credits. Sitting through “Darkness Falls” was tough to sit through as the anticipation for the morbidity level to increase with due pressure onto detective’s Anderson’s browbeaten shoulders for a hellish ride solving his wife’s untimely death was never sated, sputtering along as a halfcocked story with performances to match.

“Darkness Falls” available for rent on Prime Video!

Burt Gummer is Back to Destroy a Long Time Evil Foe! “Tremors: A Cold Day in Hell” Review!


A remote Canadian science team is under the threat of a Graboid situation, hunting drill parties through the ice and ripping them to shreds with their snake-like mouth tentacles. The team phones the only known Graboid hunter, the legendary outdoor sportsman Burt Gummer, who flies from Perfection, New Mexico to the North of the border with his son Travis Welker to terminator their subterranean predator problem. Graboids aren’t the only problem as nasty Ass-Blasters also roam the sky. Stranded on a remote research station and stuck with non-combative administrative researchers, Gummer’s shoulders bare much of the battlefield burden, but the long time Graboid ass-kicker comes face-to-face with an internal Graboid stemmed disease that sidelines his ability to finish the campaign. Travis must pick up the reigns and band together a ragtag team of scientists to not only save Canada from a being swallowed from below, but also to save his father’s life by obtaining antibodies from a live Graboid.

Michael Gross is back! Reprising his role of Burt Gummer, the gung-ho military nut with a penchant for hunting down and killing Graboids, Gross straps on the HK-91 assault rifle once more for Universal’s “Tremors: A Cold Day in Hell,” the sixth installment to the “Tremors” franchise that began 27-years-old in 1990! The PG-13 creature feature is helmed by direct-to-video sequel director Don Michael Paul (“Tremors: Bloodlines”), written by two-time “Tremors” sequel writer John Whelpley, and release appropriately enough on Universal’s 1440 Entertainment label. Whelpley relocates the franchise away from the blistering heat, the scorching sand, and the denim-camo-plaid sporting bedrock to cooler climate of the Canada’s 49th parallel north. Under the ice and the chilled soil are pre-pre-cana Graboids awakened by the ever looming effects of global warming. Al Gore was right; Global warming will kill us all…by rousing the underground beasts who’ve been dormant for thousands of years! The very one aspect the filmmakers wanted shiplap together for this next chapter is to perilously put the invincible Burt through a taste of own mortality, plaguing him with a symbiotic Graboid worm that puts him on the edge of death, and introducing a worthy replacement, or perhaps a legacy, in his son, Travis Welker.

Welker is a returning character from “Tremors: Bloodlines” portrayed by comedian Jamie Kennedy. His role as Brad “B-rad” Gluckman from “Malibu’s Most Wanted” has been forcibly seared in many of our minds and his horror enthusiasm captured our black hearts as the lovable Randy Meeks in Scream, but being Travis Welker nearly upends those personas and transform him into a smooth talking, fast thinking, son of a gun whose perfect to match wits with his on-screen old man, Burt. “Tremors 6” is essentially the Burt and Travis show, leaving many other characters up as red shirts, but waver a handful as potential love interests and bone headed comedic reliefs. Starting with South African Tanya van Graan (“Starship Troopers 3: Marauder”) as the kinda kooky Jamie Kennedy love interest in Dr. Rita Sims. Sims is nearly all over the board being the lead scientist on the research expedition to a complete bad ass with a rifle to being a sultry fox who goes commando with no underpants in the arctic. Then there’s Jamie-Lee Money, just on the cusp of her career, plays Valerie McKee, the offspring of “Tremors'” Valentine McKee (Kevin Bacon) and Rhonda LeBeck (Finn Carter). Money looks the part, but the character is severely downplayed and lifeless that mistreats the legacy of Val who was spontaneous, inventive, and naively charming. Other characters come off goofy, oddball, and arbitrary or insignificantly used played by Greg Kriek (“Lake Placid: Legacy”), Stephanie Schildknecht (“Accident”), and Kiroshan Naidoo.

The entire Tremors franchise has been through a wringer of changes over the last 27-years that has really stretched the incredible substratum monster thinner and thinner. Reducing the physical formidability down to a visual effects monstrosity that still preserves a somewhat tongue-and-cheek campiness, “Tremors: A Cold Day in Hell” doesn’t quite have the “Tremors” flavor. Perhaps it’s the arctic setting. Perhaps it’s the inane special effects. Perhaps it both, but one thing is certain and that is Michael Gross being solidified as the unwavering face of the franchise, but even with that constant variable, this sixth installment attempts to lure back in the original fan base by referencing the original film in numerous instances, such as with Valentine’s daughter, Valerie, or even with Burt’s famous one-liner when he shot-to-death the basement crashing Graboid from the first film, but instead of saying “rec room,” he yells “airplane hangar” as the Graboid explodes in a gush of orange blood as it rams into an underground electrical barrier. It’s a bit of a farce. Yet, there’s still an immense amount of enjoy-ability, energy, and Graboid fun to be had.

Universal releases the PG-13 “Tremors: A Cold Day in Hell” on the home video, 1440 Entertainment label, with a combo Blu-ray + DVD + Digital disc. The 1080p High Definition Blu-ray was viewed for this review which is presented in a widescreen 178:1 aspect ratio and the image quality is deep with details. The terrains absolutely come alive to the screen and, at the same time, expose the visual effects work. No matter how much the visual effects team tries to create an Canadian arctic atmosphere, the sands of the South African landscape couldn’t be optically opaqued. Nonetheless, facial features, character attire, and even the explosions, cascading, and orange Graboid blood gooing is sharp with precision definition. As far as audio, the English DTS-HD Master Audio 5.1 surround sound caters to every audible fissure with an attractive ambiance track (ass)blasting with baritone and ripping semi-automatic fire cues. Dialogue comes over clean and the soundtrack has healthy bones, aside from it’s generic, low-budget assortment. Extras include a making of “Tremors: A Cold Day in Hell” that’s broken down into multiple, short chapters, the anatomy of a scene, and inside Walter Chang’s kitschy market. Since the breaking news that SyFy will not longer move forward with the anticipating Tremors television series with Kevin Bacon, “”Tremors: A Cold Day in Hell” signifies that the withering franchise will not stray from Burt Gummer’s one-man show anytime soon; still, the sixth installment provides a healthy amounts of witty banter and a swimming pool full of Graboid gore, two foundational motifs still vibrant in the Tremors universe.

Kevin and the Evil Cult! The Following (Eps 8 review)

About time we have a more passionate episode making us care about characters who have been dormant for too long. Perhaps the anticipation came to the edge of the boiling point and finally spilled over unto the flame. Will this be the turning point for the characters? I hope so – fuck! I’m tired of Ryan Hardy chasing the tail of his nemesis. I’m tired of Weston being a geeky waste of space. I’m tired of Joe Carroll speaking in riddles. In this episode, Ryan gives respect, Weston is strong, and Carroll has ultimate power or mind control however you would like to label it.

followingdeb

Also, the refreshing part about the episode is how the characters’ roles have reversed. Carroll is out and free with a hoard of acolytes to do anything for him even kill themselves – devotion that is almost non-existant in today’s world unfortunately. Ryan feels constrained by his new boss, Agent “Asshole,” and is stuck within the confines of the law but wants to break free by beating down the captures acolytes.

Of course, I was wrong about who Rodrigo turned out to be with Rodrigo being a man and not the super cute cougar Agent Debra Parker. Rodrigo turns out to be a better character, but a character we have not seen before. However, we can understand where Rodrigo pulls his influence and how Rodrigo became a part of Carroll’s crew. Carroll isn’t the only power house character to have a devotee; Ryan Hardy has Weston who was kidnapped, beaten, and stab to protect a very important secret on the behalf of Hardy. Weston has finally earned Hardy’s long becoming respect.

westonhardy

I’m certainly looking forward to the next episode to see how the characters unfold and to see who my be the next surprised acolyte, but I have a hunch, and I’ll probably be wrong again like I was with Rodrigo, that there might be a friend within the Carroll following. Stay tuned.

Kevin Bacon and the Evil Cult! The Following (Eps. 7 review)

Joe Carroll is out! The killer has made his dramatic escape by using his scared to death prey. Ryan Hardy can’t keep up with Carroll and his following, always being one, sometimes to one, behind. Unlike the previous episode, episode seven omits the twists and turns; instead, the focus on death, escape, and incarceration – and not just by Carroll.

We’re exposed to more of Carroll’s connections who, like him, are deeply disturbed and very calm about their whole mentally distraught situation. We’re also discovering that each follower has a specific skill set – Charlie expert in covert recon or Linda who can slice you up without you even knowing – and each have this part to play as I mentioned before in previous reviews.

followingfox

I expect that the next episode will contain more chaos under uncontrolled circumstances. Now with Carroll out of the federal prison system, he’ll wreak more havoc and sure put Hardy in the hot seat. The next episode seems to have the followers and Carroll put the FBI in their sights. Will one of the main characters bite it? We’ll see!

Kevin Bacon and the Evil Cult! The Following (Eps. 6 review)

Got around finally to watching the sixth episode of Kevin Williamson’s The Following last night on On Demand and we’re back to ground zero with how The Following should play out as a suspenseful horror thriller with numerous twists, baffling betrayals, and many hooks to keep the audience intrigued and drooling until next Monday. Ryan Hardy, when back into a corner, transforms into possum as his curls his lip revealing his vicious teeth – a side of Hardy we have yet to experience.

Paul: “Tie him up!”
Ryan: Yes, tie me up, but if you get within two feet of me I will break your neck and crack your spine.”
Paul: “Then I will shoot you!”
Ryan: “And his neck will be broken and his spine will be cracked.”
Paul: “And you’ll be dead!”
Ryan: “And his neck will be broken and his spine will be cracked.”

ryanhardy

This episode drives in the last nail making certain that we, the audience, can’t trust a single soul – who is in this cult and/or who will betray who within a group – and that distrust amongst the factions will keep life in this show. Also, the mysterious Rodrigo who orchestrates behind the scenes has me starting to wonder that we may know already who this person is and that the other cult followers perhaps don’t know as Charlie, Claire’s ‘follower,’ had stated in his own words that each member of Carroll’s crew doesn’t know who each other and that their roles were specific. If I had to take a wild guess, Rodrigo is Agent Debra Parker and this episodes leave a little taste of my hypothesis. However, my theory could be dead wrong which is hard to believe, I know.

Our killer threesome has for now disbanded into a massive betrayal by Emma’s character as she leaves her two male companions to fend for themselves against the closing in FBI. What’s Emma’s plan with Joey? Most likely her specific role is to be the protector of Joey as she displayed in the later half of the episode as a human bullet shield. Rodrigo had likely instructed Emma to escape from Paul and Jacob while friends of Rodrigo infiltrate and kill a couple of the FBI Swat team and extract Paul and Jacob from the clutches of the FBI.

Lots going on and the next episode shapes up to be thrilling as well. Let’s all hope.